"The US Senate fell short by the narrowest of margins Wednesday in a vote on whether to adopt the first-ever constitutional amendment to restrict free speech. An amendment backed by the Bush administration to give Congress the power to 'ban desecration of the American flag' received 66 votes with 34 against, just missing the two-thirds margin required.
The campaign against flag-burning has long been a political hobby-horse for right-wing and chauvinist elements, going back to the Vietnam War period when antiwar protesters frequently burned flags at demonstrations against US aggression and war crimes in Southeast Asia. Numerous state laws against flag-burning were enacted in that period, but convictions under these laws were appealed on civil liberties grounds. The Supreme Court eventually ruled in 1989 that burning the flag and similar symbolic anti-patriotic acts are protected as free speech under the First Amendment.
[...]
The right-wing domination of official politics in the United States in recent decades has included a push for the first constitutional amendments that would restrict rather than expand democratic rights: banning abortion, for instance, or gay marriage, or flag-burning. In each case the religious or political prejudices of a section of the ultra-right would be embedded in the document that establishes the long-term framework of American political life. Successful adoption of the flag-burning amendment would undoubtedly encourage efforts on behalf of the other amendments.
There are also potentially important legal implications. The amendment, by using the term 'desecration,' confers a quasi-religious status on the American flag. What a Christian fundamentalist or fanatical chauvinist regards as desecration could go well beyond burning or destroying the flag. Given the top-heavy majorities in both houses for the amendment, a law implementing it would undoubtedly be passed quickly and with the widest possible scope. It is entirely possible that, for example, carrying an American flag upside-down at an antiwar demonstration could be characterized as 'desecration,' or the use of the flag in antiwar art and filmmaking. If one recalls the outrage among right-wing pundits over the immigrant rights demonstrations in the spring, it is not farfetched to suppose that even the ordinary display of the flag by non-citizens at such a protest could be criminalized as 'desecration.'
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It is hard to say which was more revolting in the Senate debate—the patriotic hogwash coming from the Republicans, who overwhelmingly supported the amendment, or the legalistic hairsplitting by the Democrats, whether they supported or opposed it. There were only a handful of speakers in the debate who addressed the fundamental issue of free speech. The vast majority either howled in the chorus of flag-wavers, or argued for the prohibition of flag-burning by legislation rather than constitutional amendment.
Nearly every senator in the debate denounced flag-burning as odious, obscene, hateful or otherwise beyond the pale. Most of these gentlemen and ladies were not so exercised about US torture of prisoners at Abu Ghraib and Guantánamo, or the countless atrocities against innocent civilians in Iraq and Afghanistan. Children dismembered by 500-pound bombs are 'collateral damage,' but a piece of colored cotton set on fire is an outrage."
"You are invited to submit by July 4thpatty and i actually got into a semi-heated argument about this today, she suddenly insisting that i should send one in. what? me? with the terrible, annoying voice? there's that certain element of a mother's overconfidence and irrational reverence for her child, but she was downright insisting for a while there. "you're your own harshest critic, you know. i've never seen anyone with such a low opinion of their own abilities," she was saying. i hadn't even expressed interest in actively participating beyond informing others, just saying that i thought it was a great idea-- but suddenly, whoa, the world has opened up in marvelous vistas of cascading potential and her son will henceforth be a celebrated voice actor!
ONE (1) AUDIO TRACK
of yourself reading a passage from Only Revolutions.
Why?
For starters, all the good ones will go up on the website. For finishers, if you’re really good, and we mean really really good, you may be asked in July to play either Sam or Hailey for the Full Length Audio Version of Only Revolutions due out September 12.
ALL ACCENTS WELCOME!"
Contrary to what you may see written about them, Asobi Seksu aren't gazing at their shoes on their second album-- they're looking skyward the whole time. Yes, the guitar overload, massive reverb, and deceptively sweet vocals are all there, but this New York quartet is anything but a My Bloody Valentine retread.- "me plus one": this song by annie is unbelievably catchy.
Frontwoman Yuki Chikudate gives the band a charismatic focus, and her vocals range from a soulful croon to a delicate wisp. Whether she's singing in Japanese or English (she does both in about equal measure), she always keeps it catchy, and that squishing sound you hear when she sings 'put your tongue up to my battery' on 'Nefi+Girly' is indie boys melting across the country.
[...]the vibe is decidedly astral. It's one of many songs that drive home just how perfect Sean McCabe's cover art is: Yuki at the center of the swirl, bathed in bright colors, with big swaths of melody slathered liberally across the proceedings.
"Trivia: 'A Room With No View' is the second Millennium story to feature Frank Black's arch nemesis, Lucy Butler. Actress Sarah-Jane Redmond would appear once per season in the memorable role.now, i saw this episode only once, on the night it premiered, april 24, 1998, and still remembered it quite vividly with just a little bit of prompting. i immediately acquired a copy of the song and commenced playing it on repeat, feeling myself entirely elsewhere. then i read the passage from the episode guide quoted above again. they are so right. that's well-made television, don't you think?
Inside Lucy Butler's house her prisoners are repeatedly subjected to the sounds of 'Love is Blue.' The instrumental version of the song by French conductor Paul Mauriat, heard in the episode, was the number one song on the Billboard Music Chart for five weeks in 1968. For many Millennium fans, this episode's use of the song has forever altered their emotional response to the music."
-- michelle tea, the chelsea whistle